Review: The Adjustment Bureau
The Adjustment Bureau is a difficult film to discuss without spoiling because most of what it has going for it is the plot.
Despite the 'Bourne meets Inception' quote on the poster and trailer that has cunningly hacked together a frantic running around sequence towards the end to make it look like a breathless thriller, this is really more like an episode of the Twilight Zone. (Or a more prosaic, down to earth version of The Key.)
Taken from a Philip K Dick story it's about an aspiring politician (Matt Damon) named David Norris who one day accidentally gets to see the secret forces that run our lives, the secret troop of grey men in hats who ensure that events on earth follow The
Unfortunately, The Plan necessitates that he must not stay with the girl of his dreams, Emily Blunt.
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The film is far from perfect but the Manhattan landmarks are used well and there is nice disparity between the two stars who cut contemporary, dare I say liberal, figures and the forces ranged against them who are like McCarthy era G-men.
What makes the movie distinctive is that in exploring the conflict between free will and predetermination, the plot seems to set the rules in opposition of the Hollywood convention that love is valued above all else and that the hero must be the architect of his ultimate triumph.
- 1 Fire tears through historic Thorpe pub
- 2 Builder took pink pill and ran naked around hotel
- 3 Daughters hold dad's hand one last time in emotional hospital goodbye
- 4 Is your surname on this list? You could inherit a fortune
- 5 Farke reveals Buendia concerns and fitness updates on Pukki and Krul after 2-1 Cardiff win
- 6 Coronavirus recovery centre never used in first wave to be opened
- 7 Bakery pushes back Norwich reopening date after daily taking dropped to £26
- 8 Mass coronavirus vaccination centre opens in Norwich today
- 9 Motorcyclist taken to hospital with leg injuries after NDR crash
- 10 PM warns there will be no 'open sesame' lockdown exit
Here, without hopefully revealing too much, I'd say that in the central dilemma posed to the hero the wise, heroic choice would be to do the opposite of what the conventional Hollywood leading man would do.
So the tension of the film (and it keeps it up to almost the very last moment) is that you don't know if it is clever or silly. Does it have the free will to come up with something bold and unexpected or will it ultimately bow to the predetermined finale of all Hollywood entertainments?
The Adjustment Bureau (12A)
Director: George Nolfi
With: Matt Damon, Emily Blunt, Terence Stamp, Anthony Mackie and John Slattery
Length: 106 mins