Gallery A carpet of bluebells covers a Norwich cemetery
A carpet of blue stands out against the grey of the headstones in the late 19th century Rosary Cemetery as bluebells spring up among the graves.
A carpet of blue stands out against the grey of the headstones in the late 19th century Rosary Cemetery as bluebells spring up among the graves.
A carpet of blue stands out against the grey of the headstones in the late 19th century Rosary Cemetery as bluebells spring up among the graves.
The streets of Attleborough may be quieter than usual but behind some of those closed doors is an army of workers, busier than ever, keeping businesses going in the present lockdown.
The streets of Attleborough may be quieter than usual but behind some of those closed doors is an army of workers, busier than ever, keeping businesses going in the present lockdown.
The medieval parish church of St Helen’s at Ranworth is one of the gems of the Norfolk Broads.
We visited Queen's Hill Primary School, in Costessey, where the team work hard to make sure reading remains a priority, as they received a visit from Norfolk County Council's mobile library.
We visited Queen's Hill Primary School, in Costessey, where the team work hard to make sure reading remains a priority, as they received a visit from Norfolk County Council's mobile library.
A cold and icy morning as photographer Denise Bradley visits RSPB Strumpshaw Fen, where a community of geese and coots, blue and long tailed tits find sustenance amongst the reeds and on well stocked feeders, and walkers wander in the peaceful wildlife haven.
A cold and icy morning as photographer Denise Bradley visits RSPB Strumpshaw Fen, where a community of geese and coots, blue and long tailed tits find sustenance amongst the reeds and on well stocked feeders, and walkers wander in the peaceful wildlife haven.
Photographer Denise Bradley takes a look around St Peter Mancroft Church, the largest church in Norwich after the two cathedrals. St Peter Mancroft was built between 1430 and 1455, and boasts a flemish tapestry from 1573 and a 15th century wooden canopy over the baptismal font, which the top half was restored for Queen Victoria's jubilee. Many parts of the interior are gilded, and lit with yellow lighting to show off the features.
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